Reflections on the interview influencers and stylists

After this communication, I realized that both bloggers and stylists have a strong environmental awareness when it comes to clothing. They usually choose to give unwanted clothes to friends, sell them online, or donate them. This is very different from what I expected. Before the interviews, I thought they didn’t know how to deal with unwanted clothes. One stylist even told me that the clothes sent by brands have been left in the studio for a long time. However, due to the limited number of interviews, it is not enough to prove that my other stakeholders are also like this. I will do more data collection later.

During this process, I found that some people think that the donation model seen online is unreliable in China, where there is a phenomenon of fake charities. For example, Tencent Charity was accused of illegal fundraising. This shows that fake charities have been a problem in China for some time. Some individuals or organizations will use the name of public welfare and charity for illegal fundraising or false propaganda in order to gain improper benefits (shasha, 2021). I think this is something that I should avoid when working on this project in terms of reuse.

Secondly, during this interview, I learned that some people hesitate or even regret their decision to dispose of clothes. For example, in the later stage, when they want to make a new match. They find that the style or colour of the clothes they have already disposed of is exactly what they need. This shows that the meaning of rematching is greater for them. However, the reason they choose other ways to dispose of their clothes is to quickly deal with them. Therefore, in my project, how to help people dispose of their clothes quickly is also a direction to consider.

In summary, I have preliminarily consulted stakeholders within my work scope. I am still thinking about other groups of people that can be involved and how to find breakthroughs in sustainability. Therefore, I am ready to start asking my sustainable beauty lead expert in China (Tingting Han).

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Interview influencers and stylists

1 to 1 Interview

I found some familiar influencers and celebrities stylist to do this interview to represent this group. We also had a very close cooperation before.

Platform: RED

Influencer name: Taoxinmanman

Follower:8.3w

like and collect:41.6w

Our interview evidence:

key translation:

Viola: I’m doing my project on the topic of sustainable recycling. Do you think I can leave you a message to ask a few questions?

Viola: I know that as a Influencer you receive a lot of clothes every month. How can you deal with the clothes after the ad shoot?

Viola: How many clothes can you receive each month at most?

Taoxinmanman: I will sell it on Xianyu. (Xianyu second hand platform)

Taoxinmanman: I received clothes from brand every month about 10 pieces.

Viola: If you sell it but no one buy it for a long time?

Taoxinmanman: I will keep it.

Viola: If you just sell all clothes. But no one buy it. How can you do?

Taoxinmanman: I will back to my styling. I think i will used it again. For me, all clothes are useful. Sometime i sold i will I regret it.

Platform: RED

Influencer name: haoyoujin

Follower:6.1w

like and collect:37.4w

Our interview evidence:

key translation:

Viola: I’m doing my project on the topic of sustainable recycling. Do you think I can leave you a message to ask a few questions?

Viola: I know that as a Influencer you receive a lot of clothes every month. How can you deal with the clothes after the ad shoot?

Viola: How many clothes can you receive each month at most?

haoyoujin: Generally, some of the new collection will be kept and worn by myself after shooting, and the other part will be sold on xianyu that the new collection are better for sale. There is also a part that will be given away to fans. (But this frequency is not high.) The last part is that the clothes with poor quality but just look good to take pictures. If the wearing rate is low, I will directly place an order on the clothes recycling app to dispose of them.

Viola: Do you need afford the shipping fees?

haoyoujin: Xianyu is for free. But i used this app.

Viola: How can you find this app?

haoyoujin: I searched and recovered keywords on the Internet, and found that it is not bad, and SF Express does not require shipping fees. It is very suitable for dealing with some clothes that are not worn or have been out of fashion clothes.

Time Fengjun Entertainment Stylist

Name: Leilei

Our interview evidence:

key translation:

Viola: I’m doing my project on the topic of sustainable recycling. Do you think I can leave you a message to ask a few questions?

Viola: I know that as a stylist you receive a lot of clothes every month. How can you deal with the clothes after the ad shoot?

leilei: donated. You can find it in SF Express.

Celebrity Personal Stylist

Name: Zi Wang

Our interview evidence:

key translation:

Viola: I’m doing my project on the topic of sustainable recycling. Do you think I can leave you a message to ask a few questions?

Viola: I know that as a stylist you receive a lot of clothes every month. How can you deal with the clothes after the ad shoot?

Zi Wang: If brand sends to celebrity, it is for celebrity. If brand sends to me. I will keep suit me clothes then others send them to my friends.

Zi Wang: If my friend doesn’t want it either, I’ll donate it.

Zi Wang: (She sent me address pic to donate clothes)

Zi Wang: This address was donated to Daliang Mountain. It’s true address. You can check that there are many fake charity.

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Interview influencers and stylists plan

1 to 1 Interview

I work in fashion PR. From my personal experience. I provide clothes to influencers and celebrities every months. However, upon reviewing the operations of my previous brand. I believe that the amount of clothing I sent out last year was excessive, with a total price tag around 800,000 CNY (100,000 GBP).

I can’t to provide this data evidence. It’s about Company Confidential. Also i left my previous brand. But I always curious how can influencers and celebrities deal with all clothes after advertise?

Interview questions:

How can you deal with all clothes after advertise?

How many clothes can you receive each month at most?

Then some of open questions.

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Research Methodology

In this project, both primary and secondary data have been used to support the direction of the project to ensure that it can be meaningful and that its findings can be reliable.

Firstly, when it comes to the collect of primary data, it is mostly done with interviews. According to Briggs (1996), interview as a research method is one of the most used and most effective tools to collect data in social science is an interview (Briggs, 1986). At the same time, what makes interview an even better approach to collect primary data is that the interview is also along with achieving a goal of understanding the perspectives or experiences of participants (Kvale, 2008). Hence, in this research study, interviews have been conducted as the most important way to collect the primary data. In detail, Braun and Clarke (2013) mentioned that in a research study where interview is used as the major approach to collect primary data, it is the practice that at least 6 participants who are properly selected should be included in the thematic analysis for social science studies so that the findings can be generalized and representative enough. Therefore, in this research study, the researchers tried to include that the interviews could include as many participants as possible.

As a matter of fact, in the interview for primary data, both qualitative data and quantitative data have been used. For example, in the interview with 20 interviews, qualitative data were used to measure how popular the concept of sustainable fashion was among young people today. In the meantime, there were also qualitative data collected, such as people’s attitudes towards second-hand use of clothes and accessories. According to Braun and Clarke (2006), interview as a qualitative approach for primary data stands out because it can identify, analyze, organize, describe and report topics in qualitative data sets, which then allow the researchers to have a high degree of flexibility and a more understandable analysis form.

In the meantime, in addition to the primary data, secondary data were also collected in this project. In terms of the major method used to collect secondary data, it is a search based on existing literature on current studies related to the sustainable culture of second-hand use of clothes and accessories through education and information dissemination. In other words, it is an examination based on existing literature. In accordance with Bhatasana (1999), a look at existing literature on any given topics allows project authors to develop a fruitful understanding of the subjects that they are studying, such as existing knowledge as well as inconsistencies in the field. This makes such secondary data important for the project because they can guide the direction of the project while serving as an important reference.

The secondary data collected based on existing literature also include both primary data and secondary data. These data have also been important for this study to set its directions and identity key issues related to second-hand use of clothes and accessories. These findings as well how they have enabled the project to do so will be presented in the next section.

Bibliography

Bhatasana, V.K. (1999). Appraisal at financial Performance of State Bank of India. Ph.D. Thesis Saurashtra University, Rajkot.

Braun, V. and Clarke, V. (2006). Using thematic analysis in psychology. Qualitative research in psychology, 3(2), pp.77-101.

Braun, V. and Clarke, V. (2013). Successful qualitative research: A practical guide for beginners. London, United Kingdom: SAGE.

Briggs, C.L. (1986). Learning how to ask: a sociolinguistic appraisal of the role of the interview in social science research. Cambridge: Cambridge University Press.

Kvale, S. (2008). Doing interviews. London: Sage.

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Research Question

In terms of the research question for this project, based on the subject matter, it is “How to motivate millennials gen-z to treat their unwanted clothes for second use instead of directly dithering or throwing aways these clothes?” The reason for this research question is as the following.

First of all, so far, there have been ample research studies focusing on ethical consumption in the fashion industry suggesting that cultural barriers, insufficient consumer interests, as well as lack of awareness are the major obstacles (Kirchherr et al., 2018). To be more specific, for many customers, used clothes or secondary clothes are still something that they are not familiar with or something that they just see on mass media (Van Weelden et al., 2016). In addition, the quality of used clothes in the eyes of customers is inferior to new clothing and accessory products (Van Weelden et al., 2016). Also, according to Su et al. (2013), there is a limited channel for the public to learn sufficient information and reliable knowledge about used clothes or second-hand clothes. This may serious hinder the efforts to promote ethical consumption among fashion users as a solution to the world’s urgent environmental problems based the sustainable culture of second-hand use of clothes. In terms of the reason, Ghisellini et al. (2016) further stated that customer’s acceptance and purchase of used products are crucial to the success of ethical consumption. Therefore, it is reasonable for this project to focus on promoting the sustainable culture of second-hand use of clothes and accessories through education and information dissemination.

In terms of why this project focuses on a desired result among millennials and Gen-Z consumers, the reason is as the following. Firstly, nowadays, Gen-Z and millennials are the main customers in the fashion industry. For example, in terms of the luxury fashion industry in China, its main customers are extremely young in nature. To be more specific, around 58% of the luxury fashion customers in China are those aged between 18 and 30 years (Shenzhen Zhongshang Big Data Co., LTD, 2018). In terms of the spending, 26–35-year-olds in China were responsible for 62% of high-end luxury consumption in China (Shenzhen Zhongshang Big Data Co., LTD, 2018). From this perspective, it is meaningful to focus on younger generations of customers because this then can help the project to make a bigger difference.

In the meantime, focusing on Millennials and Gen-Z customers also increase the like of success for the project. On the one hand, compared with older people, young people are always more open-minded (Corepal et al., 2018). They are more likely to learn new concepts. Also, it is easier for them to change their behaviors (Corepal et al., 2018). On the other hand, nowadays, young people are already showing more support to ethical and sustainable fashion consumption compared with other groups. For example, according to Smith (2022), in a research study in the Untie States, researchers identified that approximately three quarters (73%) of Gen Zs were willing to pay more for sustainable products or services, and the figure was 68% for millennials and 55% for Gen-z. This then indicates that young people are also more likely to make a difference once their awareness of the sustainable culture of second-hand use of clothes and accessories has been raised. This then greatly improves the chance for the success of the entire project.

Bibliography

Corepal, R., Tully, M. A., Kee, F., Miller, S. J., & Hunter, R. F. (2018). Behavioural incentive interventions for health behaviour change in young people (5–18 years old): A systematic review and meta-analysis. Preventive Medicine, 110, 55–66. https://doi.org/10.1016/j.ypmed.2018.02.004

Ghisellini, P., Cialani, C., & Ulgiati, S. (2016). A review on circular economy: The expected transition to a balanced interplay of environmental and economic systems. Journal of Cleaner Production, 114, pp.11-32.

Smith, P. (2022). Willingness of different generations to pay more for sustainable products in the U.S. as of December 2019. Statista. https://www.statista.com/statistics/1278163/willingness-to-pay-more-for-sustainable-products-in-the-us/

Su, B., Heshmati, A., Geng, Y., & Yu, X. (2013). A review of the circular economy in China: moving from rhetoric to implementation. Journal of Cleaner Production, 42, 215–227. https://doi.org/10.1016/j.jclepro.2012.11.020

Van Weelden, E., Mugge, R., & Bakker, C. (2016) .Paving the way towards circular consumption: Exploring consumer acceptance of refurbished mobile phones in the dutch market. Journal of Cleaner Production, 113, pp.743-754.

Kirchherr, J., Piscicelli, L., Bour, R., Kostense-Smit, E., Muller, J., Huibrechtse-Truijens, A., & Hekkert, M. (2018). Barriers to the circular economy: Evidence from the European union (EU). Ecological Economics, 150, pp.264-272.

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Introduction

Fashion Industry Background

In this project, the subject matter is set to promote the sustainable culture of second-hand use of clothes through education and information dissemination to encourage millennials and gen-z to take action. In other words, this project is about helping to make fashion consumption more sustainable. The reasons for this subject matter of the project are twofold.

To begin with, it is not a secret that the fashion industry is a major contributor to pollution and other environmental problems in the world today. For example, the fashion industry is “a substantial contributor to environmental impacts through the production, processing, use, and end-of-life of garments (Wiedemann et al., 2020, p.1486). In the meantime, it is estimated that the apparel industry responsible for about 10% of global carbon emissions (King, 2021). Similarly, according to Pawar (2021), the total greenhouse gas emissions in the world related to the textile industry has reached 1.2 billion tons annually. These environmental problems caused by fashion industry can lead to serous ramifications for the entire mankind. For example, it is warned when it comes to the end of the 21st century, the Earth will be warmer by about 2.8 degrees Celsius (Wang et al., 2020). At the same time, the United Nations also warned that in the decade from 2020 to 2030, mankind must reduce global greenhouse gas emissions by 7.6% each year to avoid catastrophic consequences (Wang et al., 2020). This is probably the reason why the United Nations included responsible consumption and production in its 2030 Sustainable Development Goals (The United Nations, n.d.). From this perspective, the fashion industry must be changed for the wellbeing of the entire human beings.

Secondly, there are personal reasons for this project to focus on this subject matter as well. When I studied in Nottingham Trent Uni, I majored in fashion. Since that time, I have been aware that the fashion industry is a heavy polluting business. While I enjoy all kinds of beautiful and stylish clothes, pollution caused by the fashion industry has always made me feel guilty, as if I were the one polluting the environment. Therefore, this project is meaningful to me personally because it can make me feel better about my fashion consumption by allowing me to make a difference.

At the same time, it is worth mentioning that this project of mine goes hand in hand with multiple stakeholders. The first is customers. On the one hand, today more and more customers are increasingly concerned with their impacts on the environment (Puspita and Chae, 2021). On the other hand, however, according to Kirchherr et al (2018), lack of awareness and interests among customers may be a key barrier for customers to embrace products made from used clothes. The second stakeholder involved is fashion brands. It is understandable that they may oppose my project. This is because recycled clothes may reduce customers’ needs for new clothes to a certain degree. The third stakeholders involved are charitable organizations. According to Farrant et al. (2020, p.726), many charitable organizations “collect used clothing and resell it as second-hand clothes for example in Eastern Europe or Africa.” They will be important partners for the project, as they have channel to reuse the recycled clothes.

Bibliography

Farrant, L., Olsen, S.I. & Wangel, A. 2020, “Environmental benefits from reusing clothes”, The international journal of life cycle assessment, vol. 15, no. 7, pp. 726-736.

Puspita, H. & Chae, H. (2021). An explorative study and comparison between companies’ and customers’ perspectives in the sustainable fashion industry. Journal of global fashion marketing, 12(2), pp. 133-145.

King, S. (2021).  How The Fashion Industry Contributes To Pollution. Sustainable Chic. https://www.sustainably-chic.com/blog/fashion-industry-pollution

Kirchherr, J., Piscicelli, L., Bour, R., Kostense-Smit, E., Muller, J., Huibrechtse-Truijens, A., & Hekkert, M. (2018). Barriers to the circular economy: Evidence from the European union (EU). Ecological Economics, 150, pp.264-272.

Wang, B., Jin, C., & Liu, J. (2020). Understanding Future Change of Global Monsoons Projected by CMIP6 Models. Journal of Climate, 33(15), 6471–6489. https://doi.org/10.1175/JCLI-D-19-0993.1

Wiedemann, S.G., Biggs, L., Nebel, B., Bauch, K., Laitala, K., Klepp, I.G., Swan, P.G. & Watson, K. 2020, “Environmental impacts associated with the production, use, and end-of-life of a woollen garment”, The international journal of life cycle assessment, vol. 25, no. 8, pp. 1486-1499.

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