The findings of the secondary research have also been extremely fruitful and illuminating for this project. To begin with, as mentioned above, quantitative primary data by secondary sources such as Wiedemann et al. (2020), King, (2021), Pawar (2021), and Wang et al. (2020) have shown the great environmental pollution caused by the fashion industry and the serious ramifications for the mankind if nothing were to be done, which is also the reason why I decided to work on this subjective matter in the first place.
In addition to this, as has been mentioned above, the secondary research findings by scholars like Kirchherr et al. (2018), Van Weelden et al. (2016), Su et al. (2013), and Ghisellini et al. (2016) confirmed that why it is important to promote the sustainable culture of second-hand use of clothes and accessories through education and information dissemination. Despite people’s willingness to support sustainable and ethical consumption, they do not know second-hand use of clothes and accessories well, neither do they have channels for reliable information related, which has given them doubts about second-hand use of clothes and accessories.
In the meantime, the qualitative secondary data by Corepal et al. (2018) and Smith (2022) also show why it is right for this project to target young customers like the Millennials and Gen Zs. After all, they are the major customers of fashion products nowadays. They are willing to make a difference. Also, they are more likely to change their behaviors once their awareness has been raised.
Based on my previous tutorial with Elizabeth and considering my own work, Elizabeth suggested to focus on social media, fashion PR, and circular economy/design. As a result, I have conducted some research specifically on circular economy/design.
In terms of what exactly is circular economy, Ellen MacArthur Foundation (2012, p.7) defined that “an industrial system that is restorative or regenerative by intention and design. It replaces the ‘end-of-life’ concept with restoration, shifts towards the use of renewable energy, eliminates the use of toxic chemicals, which impair reuse, and aims for the elimination of waste through the superior design of materials, products, systems, and, within this, business models.” This indicates that in essence circular economy is the process to change the linear “take‐make‐use‐throwaway” model into the circular “take‐make‐use‐reuse”. This is an effort to ensure that there is no waste or minimized waste in the process of production. While this model can be used for any industries, there goes without saying that it can also be applied to the fashion industry for sustainable consumption and secondhand use of materials. In fact, Diddi and Yan (2019) found that if major fashion producers could use circular economy model, by the time of 2050, the fashion industry’s greenhouse gas emissions could be reduced by at least 30%. However, at the same time, the qualitative secondary data from existing literature also showed that circular economy is not a fit for this project in many aways. For example, according to Chen et al. (2021), materials used in clothing and accessory items such as cotton, wool, silk, and wood are not suitable for circular economy, as remaking can change their shapes and even chemical structure.
In other words, my understanding is that the fashion industry, in order to achieve a circular economy, requires a highly efficient supply chain. This includes the process of product production, decomposition, extraction, and remanufacturing. The resulting items must be sustainably circulated and ultimately return to nature. However, based on my research, implementing a circular economy is demanding in terms of initial financial investment and the required technologies. Consequently, considering the feasibility of this issue, I had no choice but to abandon this idea.
Bibliography
Chen, X., Memon, H. A., Wang, Y., Marriam, I., & Tebyetekerwa, M. (2021). Circular Economy and Sustainability of the Clothing and Textile Industry. Materials Circular Economy, 3(1). https://doi.org/10.1007/s42824-021-00026-2
Corepal, R., Tully, M. A., Kee, F., Miller, S. J., & Hunter, R. F. (2018). Behavioural incentive interventions for health behaviour change in young people (5–18 years old): A systematic review and meta-analysis. Preventive Medicine, 110, 55–66. https://doi.org/10.1016/j.ypmed.2018.02.004
Diddi, S., & Yan, R. (2019). Consumer perceptions related to clothing repair and community mending events: A circular economy perspective. Sustainability, 11(19), 5306.
Ellen MacArthur Foundation. (2017). Ellen MacArthur Foundation Priority Research Agenda (2017). https://www.ellenmacarthurfoundation.org/assets/downloads/higher-education/EMF_Priority-Research-Agenda-copy.pdf
Ghisellini, P., Cialani, C., & Ulgiati, S. (2016). A review on circular economy: The expected transition to a balanced interplay of environmental and economic systems. Journal of Cleaner Production, 114, pp.11-32.
King, S. (2021). How The Fashion Industry Contributes To Pollution. Sustainable Chic. https://www.sustainably-chic.com/blog/fashion-industry-pollution
Kirchherr, J., Piscicelli, L., Bour, R., Kostense-Smit, E., Muller, J., Huibrechtse-Truijens, A., & Hekkert, M. (2018). Barriers to the circular economy: Evidence from the European union (EU). Ecological Economics, 150, pp.264-272.
Pawar, K. (2020). Fashion industry can play an important role in pollution of air and can resist to have clean air. https://letmebreathe.in/2020/09/07/how-polluting-is-the-fashion-industry/
Van Weelden, E., Mugge, R., & Bakker, C. (2016) .Paving the way towards circular consumption: Exploring consumer acceptance of refurbished mobile phones in the dutch market. Journal of Cleaner Production, 113, pp.743-754.
Wang, B., Jin, C., & Liu, J. (2020). Understanding Future Change of Global Monsoons Projected by CMIP6 Models. Journal of Climate, 33(15), 6471–6489. https://doi.org/10.1175/JCLI-D-19-0993.1
Wiedemann, S.G., Biggs, L., Nebel, B., Bauch, K., Laitala, K., Klepp, I.G., Swan, P.G. & Watson, K. 2020, “Environmental impacts associated with the production, use, and end-of-life of a woollen garment”, The international journal of life cycle assessment, vol. 25, no. 8, pp. 1486-1499.